Sony FX30 Digital Cinema Camera. Sony fx30 camera

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Sony FX30 Digital Cinema Camera

Leveraging the power of a newly-developed APS-C sensor, the Sony FX30 provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.

The FX30’s advanced imaging system is on par with other options in Sony‘s Cinema Line-capturing detailed 10-bit UHD 4K imagery at up to 120 fps-giving it specs fitting a true cinema camera. The newly-developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14 stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.

  • High-sensitivity recording at up to ISO 32000 and Dual Base ISO (800/2500).
  • When using S-Log3, the FX30 can capture 14 stops of dynamic range.
  • Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.
  • Full pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.
  • High-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD up to 240 fps.
  • The HDMI output supports 16-bit raw video to select, separately available recorders.
  • S-Cinetone uses the same color science as Sony’s advanced cinema cameras, including the VENICE line, with natural midtones, soft colors, and smooth highlight rolloff.
  • Picture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.
  • Creative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.
  • Up to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor or EVF as well as the HDMI output.
  • Flexible ISO uses standard ISO settings for simple operation and the greatest flexibility.
  • Cine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.
  • Cine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.
  • Real-time Eye AF and Real-time Tracking will track the eyes of humans and animals.
  • AF Assist function will automatically switch to manual FOCUS with a turn of the lens’ FOCUS ring.
  • Focus Map makes it easier to visualize the region of FOCUS in your scene

Sony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off which can be used in post to create a stable shot.

  • Breathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.
  • Timecode sync input with optional VMC-BNCM1 Timecode Adapter Cable
  • Tally lights for easy indication that camera is recording.

The FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony’s Catalyst Browse and Prepare software.

sony, fx30, digital, cinema, camera
  • Embedded LUT and Exposure Index (EI) data.
  • Gyro and lens stabilization metadata to further reduce camera shake.
  • Breathing compensation can be manually controlled and adjusted.
  • Camera rotation metadata will ensure the footage is displayed as intended.
  • Shot marks can be added to clips during or after recording for reference

Lightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.

  • Lightweight body weighs just 1.2 lb.
  • Dedicated zoom rocker.
  • Fully customizable button layout.
  • Five 1/4″-20 threaded mounting points for accessories.
  • Multi Interface Shoe supports advanced accessories.
  • Active cooling fan permits uninterrupted shooting during extended takes.
  • Sporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.
  • Full-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.
  • Audio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.
  • USB-C connection can be used for high-speed data transfer or for powering the camera.
  • Multi-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.
  • Timecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.
  • Multi Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.

For recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30’s most advanced recording functions while SD cards are often more common and still have great speed and high capacities.

  • The main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.
  • The shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.

Additional Information

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What are the differences as far as a customer is concerned?

In most cases, the main difference between a “USA” and a “Grey Market,” or imported product is the cost of the item and the terms of the item’s warranty coverage. The products themselves are otherwise identical. As a rule, “Grey Market” items typically cost less than their USA counterparts. “Grey market” products never qualify for manufacturer’s rebate programs and can not be price matched. If you have any questions, please call us at 1-800-333-4280.

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Additional Information

Bedford Camera Video is a Sony Authorized dealer! All new products come with a full manufactures USA Limited warranty.

sony, fx30, digital, cinema, camera

We do not sell Grey Market Products

Products that are imported and sold by anyone other than USA Authorized dealers are considered Grey Market products. These are often genuine products that were intended for other countries; therefore, they may not meet the manufacturer’s specifications for US products or perform as expected, and they are not covered by a USA manufacture warranty or eligible for a USA repair service.

What are the differences as far as a customer is concerned?

In most cases, the main difference between a “USA” and a “Grey Market,” or imported product is the cost of the item and the terms of the item’s warranty coverage. The products themselves are otherwise identical. As a rule, “Grey Market” items typically cost less than their USA counterparts. “Grey market” products never qualify for manufacturer’s rebate programs and can not be price matched. If you have any questions, please call us at 1-800-333-4280.

Prop 65 Warning: California Residents

Sony FX30 OVERVIEW

Sony’s Cinema Line combines high-end digital cinema imagery and workflow with expanded reliability to support the most active creators. Their constant listening to feedback from demanding users end up getting applied to the most evolved technology available to fulfill creative needs. In a nutshell, the new Sony FX30 is a 26MP APS-C version of the FX3 Full-Frame Cinema Camera.

With the power of a newly-developed APS-C sensor, the Sony FX30 delivers committed visual content creators and aspiring filmmakers with an accessible yet powerful cinema camera. This camera combines a cinematic capture imaging pipeline with an intuitive operation layout to create a complete system for all levels of filmmaking. Take your cinematic journey to new heights!

Some general Key specifications of the FX30 include:

  • 16-bit Raw video output
  • 10-bit 4:2:2 or 4:2:0 capture in a choice H.265 or H.264-based AVC formats
  • Front and rear tally lamps
  • In-body Image Stabilization (IBIS)
  • No mechanical shutter mechanism
  • Oversampled UHD 4K (6K capture) up to 60p
  • S-Cinetone color profile
  • S-Log3 with uploadable LUTs for previewing or applying to footage
  • UHD 4K/120p capture with additional 1.62x crop

The new FX30 makes the Cinema Line more accessible than ever. Let’s dig deeper into the promises of this affordable high-end production cinema camera!

Newly-Developed APS-C Sensor

It features a state-of-the-art back-illuminated Exmor R APS-C size CMOS sensor that records industry-standard Super 35 mm movie footage. This outstanding sensor offers 14 stops of latitude and a generous color gamut. Full pixel readout without binning plus 6K oversampling for 4K footage produces files with low noise and natural contours. The performance of the new sensor in the FX30 is optimized to support individual visions and creativity.

Flexible color grading is a key element of visual production workflows, and even subtle changes in color and contrast can dramatically alter the mood of a given scene. Achieve true-to-life skin tones and a unique look with the built-in S-Cinetone The S-Cinetone gamma curve delivers cinematic expression with natural skin tone, without the need for further complicated grading. Therefore, this camera guarantees the grading flexibility needed to accurately express the creator’s intent.

Additionally, the S-Log3 gamma curve is a superb choice for creators looking for maximum expressive freedom and aiming at a unique and more personal look. And for those coming from the photographic realm, the S-Log3 gamma curve is easy to handle and provides wide latitude in workflows that include post-production color grading. For such recording, the FX30 provides the Flexible ISO mode, Cine EI mode, and Cine EI Quick mode.

About the ISO Settings

The Flexible ISO setting employs standard ISO settings for simple operation and maximum flexibility. Cine EI provides a wide dynamic range capture by recording at a manually-selected base ISO sensitivity and applying adjustments to metadata for monitoring and post-production. And the Cine EI Quick mode automatically switches between the two base ISO settings for easier operation and high-quality footage.

For general shooting, one might benefit from keeping the shutter speed and aperture fixed while adjusting ISO sensitivity for optimum exposure. Still, exposure adjustment is easy in the Flexible ISO mode, where light sensitivity is automatically compensated for changing situations. The Cine EI mode is often used in the cinema industry when in-depth post-production will be used for cinematic expression. That makes it possible to leave ISO fixed at the camera’s base ISO for maximum quality while adjusting the Exposure Index so that ideal exposure can be achieved during post-processing.

Keeping ISO at base ISO enhances freedom and image quality, delivering an ideal grading baseline for cinematic standards. And here comes the interesting part for our photographer readers, the Sony FX30 has two base ISO settings, ISO 800 and ISO 2500. Both base ISO settings offer nearly identical low-noise performance; one at low sensitivity and one at high sensitivity. Cine EI is the most suitable way for achieving high image quality and engaging expression in those circumstances where the shooting scene, including lighting, can be carefully controlled.

Control your Workflow

For those in need of professional picture control, you’ll be able to capture ready-to-publish images with fast turnarounds. On the other hand, you can also go for slow-cooked maximum quality and flexibility in post-production thanks to a wide array of picture control options.

The aforementioned S-Cinetone uses the exact color science as Sony‘s advanced cinema cameras, including the VENICE line, with natural mid-tones, soft colors, and smooth highlight roll-off. Built-in picture profiles, such as S-Log3 and HLG, allow us to capture images with expanded dynamic range and editing flexibility. Enhance your creativity within recorded footage to assemble a specific mood on the field and reduce editing efforts. Access to up to 16 user-created LUTs and toggle between three presets for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor or EVF and the HDMI output.

Shooting with a log curve generally means getting a low-contrast image on the monitor, but like other Cinema Line cameras, the brand-new Sony FX30 lets us monitor an image that will be closer to the final look in terms of both color and brightness, simply by applying an internal s709 LUT to the monitor image. Finetweaked user LUTs can be imported and used too. Exposure index and LUT information used in these modes is recorded as metadata and automatically applied to the footage in any compatible editing software, allowing a seamless, efficient workflow from shooting through editing. LUTs can be applied to the image while shooting as an alternative to using the Flexible ISO, Cine EI Quick, or Cine EI mode in combination with color grading.

Lenses

Sony offers an extensive range of prime and zoom lenses which literally change the way images are captured and presented. One might choose between a bright prime lens to create beautiful background bokeh or a wide-angle lens for more storytelling images. Or one might also decide to shoot with a powerful zoom lens for a precise angle of view or some smoothly dolly-zoom effects. And if you are looking for top-notch quality, then there are full-frame G Master series lenses, perfect for those shooters craving the ultimate in resolution and smooth bokeh.

By combining the FX30 with any of Sony’s high-performance lenses, one gets the very best Autofocus performance, image stabilization, and other functionalities that both body and lens can deliver. For example, Real-time Tracking focuses on moving subjects and stays locked on. And when framing people, birds, or animals, real-time Eye AF ensures that FOCUS is precisely and reliably maintained even as the subject moves.

Outstanding FOCUS tracking means consistent, pinpoint FOCUS, in situations where AF is required, such as when using a gimbal for shooting 4K 120p footage with rich background bokeh while leaving the FOCUS to the camera and giving full attention to framing and composition. Built-in, there’s also an Active Mode which contributes to smooth, stable footage when handheld shooting while walking around. And with compatible lenses from Sony, the Breathing Compensation function can effectively eliminate FOCUS breathing; this can even be applied during post-production, providing even grander shooting freedom.

How it Behaves

Built in the FX30, several features aid shooting in various situations. Significant refinements have been made to the camera’s controls, interface, and expandability, packing extraordinary operability into a compact, rugged body. Commonly used parameters and settings are all visible and directly accessible via the Main Menu screen. And the “Function Menu”, can be called up at any time simply by swiping up on the screen. Key settings and information are shown in the black frame on the monitor, so the user can concentrate on the image without being distracted by the settings. Tally lamps that are visible from just about any angle show when recording is in progress, preventing uncomfortable mistakes while shooting. Wi-Fi on the 5 GHz and 2.4 GHz bands, plus Bluetooth, allows recorded data to be quickly transferred to a mobile device after shooting.

And speaking of which, the Sony FX30 comes with a wide array of connections to ensure maximum customization and flexibility on set. A full-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video. Audio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input, and a USB-C connection can be used for high-speed data transfer or for powering the camera. The Multi-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality, and timecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable. Multi Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.

A durable magnesium alloy chassis has five 1/4″-20 threaded mounting points for accessories and a Multi Interface Shoe for convenient mounting of gadgets such as high-performance microphones. An XLR Handle Unit provides extra handling ease for low-angle shots, as well as the direct connection of XLR microphones for enhanced sound quality. The FX30 offers the kind of reliability users expect from the Cinema Line, with extraordinary operability and toughness in a lightweight body.

Two slots that are compatible with CFexpress Type-A cards as well as SD memory cards provide extra data security through simultaneous recording. 320-gigabyte and 640-gigabyte CFexpress Type-A cards can be used for high performance and extended recording time. Heat is effectively managed by a fan and heatsink system so that recording can continue throughout extended shooting sessions. An HDMI terminal allows connection to an external monitor or RAW recorder. Last but not least, the Sony FX30 can even be connected to an XPERIA PRO-I smartphone which works as a large external display via USB. The camera’s USB terminal can be connected to other devices allowing it to be used as a high-performance webcam for live streaming.

Our Final Thought

Diving into this camera has certainly been fun, but there are some important things we need to mention before wrapping it up. At a glance, this is Sony’s FX3 but with an APS-C sensor instead of a full-frame one. The same body, same connections, and slots, but with a generous price cut and a smaller sensor of course. Even the menu interface is the same, which tells us something about Sony’s mindset, they truly believe in the power of delving into professional workflows from the very early stages of any film-maker’s career; hence the “Leap into the world of film-making” motto accompanying the FX30’s release. Therefore, it might seem that the FX30 is an accessible way of getting an FX3, but some nuances might make you consider it over the full-frame FX3 even if you are a professional shooter or on the road to becoming one.

On one side, we have the 26MP resolution which means this camera is capable of shooting 6K via 4k oversampling. And on the other hand, we notice that this camera is super 35mm lens friendly, which means a wider array of optical solutions on the field. So if your workflow benefits from tighter crops or a wider range of lenses, then you might as well consider an FX30 instead of an FX3. The only reason why we think one might benefit from shooting with full-frame rather than APS-C is if the depth of field and wider shots are crucial for your video shooting workflow.

Yes, this is perhaps the best cinema camera one can get under 2,000.00 (some might argue the same for some of the Blackmagic Cinema Cameras), but remember that cinema isn’t just about the camera, is also about fast cine lenses, steady shooting, crisp and clean audio and above all, workflow. So expect some extra expenses while leaping into the world of filmmaking.

Sony FX30 vs FX3 – The 10 Main Differences

There’s something about a Sony mirrorless cine camera line-up that makes them attractive to photographers and cinematographers. For instance, in the latest announcement, the Sony FX30 breaks all the rules for what a compact cine camera delivers. For starters, it’s got all the features you would normally associate with a higher-end model, but more on that later.

In this side-by-side comparison, you’ll learn ten features that differ between the Sony FX30 and Sony FX3. Expect to learn about the sensor size, frame rates, accessories and specifications as we dive into what makes these camcorders unique. By reading this article, you will clearly understand which camera is the right filmmaking tool for you.

What the FX30 and FX3 have in common:

  • Identical body design with three tally lamps and five 1/4-20 threaded mounting points
  • No viewfinder
  • Multi-function shoe with digital audio
  • In-body image stabilisation (5.5 stops rating), Active mode and metadata option for Catalyst Browse
  • Cine EI mode
  • Prores RAW Recording via HDMI and compatible external recorder
  • 240p in Full HD
  • Customisable LUTs
  • Unlimited recording
  • Two CFexpress Type A / SD UHS-II card slots

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Sensor Size – APS-C and Full Frame

The first thing you need to know is the Sony FX30 and FX3 share the same E-Mount but differ in sensor size.

At one end of the scale, the FX30 adopts a new 26MP APS-C BSI sensor, whereas the FX3 unveils a 12.1MP Full-Frame BSI Sensor.

This stark difference in sensor size should be considered when mounting lenses, as the FX30’s smaller sensor will change the field of view of your lens (1.5x crop factor), while the FX3’s larger sensor will give you less noise and better dynamic range.

You will also notice a greater depth of field with the FX30 when filming at a comparable angle of view and aperture.

Lenses and 4K Recording

It’s not rocket science for a manufacturer to make a camera that uses their existing lens line-up. The Sony FX30 and FX3 adopt this principle in the way of the Sony E-Mount system. This means you can use lenses designed for full frame (FE lenses) and lenses designed for APS-C (E lenses) on both cameras.

On the FX3, using APS-C lenses means recording with the 1.5x crop mode, which Sony calls Super35 mode. This happens because APS-C lenses can’t cover the entire full frame area.

At this point, there is something you need to be aware of if you go down this route: the FX3 will lose the ability to record 4K, and you’ll only be able to work in Full HD. This happens because the total sensor resolution of the camera is not high enough for 4K when using the Super35 cropped format.

So, in this scenario, the FX30 is a clear winner if you already have APS-C lenses. You won’t need to trade them for the more expensive full frame lenses if you want to record 4K video.

K 120p and Sensor Crop

There’s a lot to talk about regarding what type of camera you should buy, but if we had only one question, this would be enough: which frame rate does your video need?

The FX30 records footage by oversampling with 6K of data before saving it as a 4K resolution. It does this by cropping the sensor by approximately 1.04x, which is quite small, and applies this method for frame rates up to 60fps. If you want to record 4K at 120p however, there is a more significant crop of 1.6x, and that will change the field of view of your lens significantly.

The FX3 records 4K up to 60p using the entire width of the sensor. In 4K 120p, there is a crop of 1.1x, which is small and won’t change the field of view of your lens that much.

See an example below with a 24mm full frame lens to get an idea of how the equivalent field of view plays out on the two cameras and various frames rates in 4K.

4K 30p4K 60p

4K 120p

You will need a very wide lens (very short focal length) to retain the wide angle advantage on the FX30 when recording 4K 120p. For example, 12mm will give you an equivalent 28.8mm.

ISO Range Differences

With the larger sensor within the FX3, you should expect a cleaner-looking picture with less noise; that’s why its range is larger in comparison to the FX30. With the latter, the image processor will have to play a bigger part in ensuring a clean image.

Both cameras feature a Dual Base ISO: that of the FX3 is higher with 2,500 and 4,000, whereas the FX30 works at 800 and 2,500. The base ISO levels provide the best dynamic range and signal-to-noise levels (in other words, the best image quality) when recorded with the S-Log3 profile.

Note that for still image recording, the FX3 can work at ISO 40 (extended range) and the FX30 up to 102,400 ISO (extended range).

LCD Screen

You will most likely notice the difference in the onboard LCD monitors when using different frame rates under specific lighting conditions. Both cameras offer a 3-inch vari-angle LCD screen with touchscreen functionality, but the difference lies in the resolution.

Surprisingly the Sony FX3 falls behind in the number of dots compared to the FX30. At 1.44 million versus 2.36 million dots, the FX30 boasts almost double the resolution. Again, this may not be as noticeable to the untrained eye, but it will be a stark difference for cinematographers who are used to looking at high-res screens.

Size and Weight

The difference between these cameras is minimal. They all have similar features and dimensions, but it’s worth noting that the FX3 is an extra 69g in weight, most likely due to its larger sensor.

This additional weight won’t matter; you can easily lessen any impact by balancing your camera properly when shooting conditions change or when using a custom-built video rig.

As you can see with the images below, the design and button layout are identical.

Autofocus

Sony knows that autofocus is a critical piece of infrastructure on a camcorder. Users demand a good system. Sensor technology and artificial intelligent algorithms play a big role in ensuring this. Fortunately, with the FX30 and FX3, Sony delivers an excellent balance in usability and functionality.

Comparing the two cameras side by side on paper, the models vary ever so slightly. The Sony FX3 packs 627 phase detection pixels on the sensor to assist with autofocus, whereas the FX30 includes a total of 495. Note that in photo mode, the number of FOCUS points is the same on both cameras (759).

The remarkable AF Transition speed adds to both cameras’ prowess, which helps users rack FOCUS from a choice of five AF subject shift settings. In simple terms, this allows for a single operator to pull or push FOCUS without needing an assistant. Or users can control the FOCUS using their finger on-point the 3″ LCD touch screen.

Across both models, real-time eye AF and tracking will be able to track the eyes of humans or animals, making FOCUS automation a breeze. The “AF Assist” function also automatically switches into manual FOCUS with just one turn on the lens’ dial, making it easier than ever for you as a cinematographer. And if that isn’t enough – Focus Map allows visual representation to show where exactly it is focused within each frame, so there are no missed opportunities when capturing images.

Still photos

Both cameras are able to take images in RAW or JPG format, using the entire 3:2 area and resolution of the sensor. Here the FX30 has an advantage in resolution with 26MP over 12Mp for the FX3.

That said, the FX30 is more limited: there is no mechanical shutter, and no continuous shooting option, whereas the FX3 can work up to 10fps.

Introducing Cinema Line FX30 | Sony | α

Pricing

Price does play a role in where these cameras sit in Sony’s Cine line-up. Being the newer camera, the FX30 is the standout winner as the main entry-level contender at a more affordable price: 1800, £2100 or €2300.

The manufacturer aims to gain market share with a feature set like this, so don’t be surprised to hear many filmmakers, videographers and cinematographers as they take up the call to explore this popular model.

The FX3 is much more expensive, and can be found for 3900, £4000 or €4700.

Note that are for the body only, and as of October 2022.

Kit Options

You may have seen different kit options with Sony’s FX30 at the time of the cine camera’s launch, which was different from the launch of the FX3, which only offered a body-only option.

Buyers can now invest in an FX30-compatible XLR handle at the time of purchase. The price for the kit is: 2200, £2500 or €2800.

The XLR handle serves many useful advantages via three thread holes on the handle so cinematographers can enhance their camera with a complimenting external monitor, microphone, wireless transmitter or battery. There’s also the ability to plugin two XLR audio inputs for high-end boom or shotgun microphones (not included).

Note that the Sony XLR-H1 XLR handle will be available to purchase separately from early 2023, and will work seamlessly with the FX3 as well, although buying separately rather than in kit will cost you more (£680 / €750, no US dollar price yet).

Final Thoughts

Sony is undoubtedly on target to take market share from Canon and Blackmagic with the affordable Sony FX30. The FX3 shouldn’t be overlooked if you already have Sony FE lenses, or if you prefer using a full-frame system over an APS-C sensor, but the lower price of the FX30 is difficult to ignore.

It’s of firm belief a benefit to obtain the XLR hand for the FX30 should you want to create high-end content for YouTube, commercial clients or creative pursuits. The benefits outweigh the small additional cost.

Ensure you also get one or two high-speed memory cards. For SD users, grab cards that are rated as V90 and UHS-II compatible, as you’ll find these offer compatibility when recording in 4K. Or, if you prefer more durable memory, then one or two CFexpress Type A cards by Sony will go a long way to help you record a full day’s shoot.

Check price of the Sony FX30 onAmazon | BH Photo

Check price of the Sony FX3 onAmazon | Amazon UK | BH Photo | eBay

About the authorLeigh Diprose is a business owner and full-time writer in the imaging industry. His knowledge of photography, cameras, lenses, lighting, audio, film, printing, cinematography, and accessories has amassed over a 20-year career. Published work and contributions can be seen across the internet, including notable brands including, PetaPixel, Fujifilm, ShotKit, Adorama, Canon, Arcatech, Videvo, SmallRig, ATLI, Light Stalking, Lucky Camera Straps, and many imaging manufacturers and leading retailers in over 14 countries.

Sony FX30 Review: Good Camera. Great Value!

Sony fx30 camera

This powerful workhorse is nearly identical to the Sony FX3 cinema camera but at a more affordable price. It’s perfect for aspiring creators who want a camera to capture high-quality cinematic video with an advanced post-production workflow. Think the FX3 — but a slightly less expensive body with a slightly smaller sensor. And my gosh, does it work beautifully. Let’s deep dive into who this camera is for, what the competitor cameras are on the market, and some impressive specs that any filmmaker should drool over. Be sure to watch our video to watch real-life comparison footage of the FX3 vs. FX30. Do you see a difference?

To Know:

The Sony FX30 cinema camera captures beautiful cinematic imagery with 6K oversampling, high performance, and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone and S-Log3 for high-level grading. Its compact size lets you take it anywhere, and sophisticated AF and stabilization make advanced filmmaking more accessible than ever for up-and-coming creators.

What We Love:

Accessible: Incredible quality at an affordable price, perfect for any beginner or advanced filmmaker needing something that can keep up with them for less.

Perfect B Camera: While it works wonderfully for anyone wanting a camera for everyday capture, it also serves as an excellent backup B camera for elevated filmmakers with a higher-end A camera.

Minimal Setup: Toss the gimbal aside with the camera’s highly performative Active Mode. It utilizes an in-body 5-axis sensor-shift image stabilizer to quickly achieve increased stabilization for cinematic shooting.

The Details:

Brand: Sony

Product Type: Cinema Camera

Best For: Small-scale video and social media content creation. It’s a 26MP APS-C version of the FX3 and promises high-end production values at a more attainable price.

FX30 Digital Cinema Camera

The new YouTuber dream camera could be the Sony FX30 Cinema camera. Compact and lightweight, easy to carry and handle is cinema power on a budget in your hand

Who Is This Camera For?

The FX30 captures stunning images with 6K oversampling and an authentic cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilization make advanced filmmaking more accessible. It makes it easy to capture what you want and how you need it.

The FX30 offers a significant step up in production quality compared to smartphones. It gives access to a higher level of color grading and post-production workflow that might otherwise require a more expensive setup. Rather than trying to build a hybrid model from one of its stills cameras, Sony has opted to create a more dedicated video production camera.

The idea behind the FX30 is to provide access to a workflow that, through the flat, semi-final S-Cinetone profile or 10-bit Log options, allows users to create professional-looking color-graded results with sheer ease. It’s compact with user-friendly features that make it more accessible than all of the cinema-level gear head cameras in the store.

If you’re a filmmaker needing another B-cam, a beginner wanting to step into cinema-level footage, or even a novice filmmaker needing an extra tool, this is the setup for you.

Differences Between FX30 FX3

The most significant difference between the two cameras is that the FX30 is an APSC camera, and the FX3 is a full-frame camera. The sensor is smaller than the APSC camera; therefore, it won’t perform as well as a full frame in low light conditions; because the Dual-Base ISO for the FX3 is 640 and 12,800, whereas the FX30 is 800 and 2500.

Having a smaller sensor isn’t always bad, though — by using APSC sensors, you’ll get what’s called a crop factor when attaching lenses with a 1.5x multiplier. This comes in handy for two reasons; the first is that APSC lenses are often more affordable, and if you want to shoot things at a distance, you’ll get an extra 1.5x boost on that 70-200mm lens 105-300mm. What’s nice here is that Sony uses the same mounting system for APSC lenses and their full-frame lenses, meaning you can use the lenses interchangeably.

The Sony FX3 Camera Review. Worth It Years Later?

The decision to switch from Canon to Sony has never been easier. The FX3 provides cinema-level quality footage in a compact body form to take everywhere.

Another perk of having a smaller sensor requires less battery drain, and you’ll get more battery life out of your FX30 and a slightly lighter camera body (646g) than the FX3 (715g).

Finally, while many shooting specs are similar to the FX3 in 4k, 10bit, Slog3, and Cinetone, this camera has an additional crop of 1.6x when shooting in 4k 120FPS.

Overall, there’s a lot of overlap between these cameras; they look identical physically. For pixel peepers, however, it’s nice to dive deep and see the granular differences. All that said, we were blown away by the performance of this camera and would highly recommend it to any beginner filmmaker or even as a B-Camera to someone who is more experienced.

sony, fx30, digital, cinema, camera

FX3 Full-Frame Cinema Camera Body

The new YouTuber dream camera could be the Sony FX3 Cinema Line camera. Compact and lightweight, easy to carry and handle is cinema power in your hand.

APS-C Lens Differences

The Sony FX30 camera rocks the APS-C lens mount system, meaning the sensor’s physical dimensions indicate a different pixel count. A full-frame sensor has 36mm by 24mm in size based on the traditional 35mm film format. An APS-C sensor is 1.5 times smaller, 25.1mm by 16.7mm, and named after the Advanced Photo System type-C film format, hence its abbreviation.

This term – full-frame – was defined in contrast to more minor, or APS-C, camera sensors. A full-frame lens is roughly equivalent to a 35mm film frame, while an APS-C sensor is slightly smaller. When you mount a full-frame lens on a camera with an APS-C sensor, you will get a crop factor; your camera’s APS-C-size sensor magnifies the scene to produce an image that will match the lens’s full-frame image circle.

The effect is that a 50mm full-frame lens mounted on an APS-C body with a 1.5x crop factor will capture a field-of-view that is the same as a 75mm on a full-frame body.

Are The 3 New APS-C Sony Lenses Sony Worth It? A Filmmaker’s Review

New APS-C lenses from Sony. We’ve got the 10 to 20 mm F4 power zoom G lens, the 15 mm F1.4 G lens, and an 11 mm F1.8 lens. Are these relevant?

35mm film has historically been the more popular format due to its near-perfect size for capturing almost anything under the radar. In the analog world, it’s much easier to carry a 35mm camera than a medium or large format camera, no? While more compact, they’re seemingly large enough to produce high-quality photos making them a highly desirable piece for professional and amateur photographers alike.

There are a few disadvantages of paying the higher price for a full frame, as with anything. Along with the more shiny price tag, full-frame cameras and lenses are heavier in size and weight, thus much more cumbersome to carry for travel enthusiasts. Additionally, if you’re looking to shoot far away subjects or wildlife, you’ll need a ton of extra reach. Because of the crop factor, an APS-C camera will give you a 1.5x or 1.6x extension on your lens focal lengths, which is invaluable for achieving the close-up shots that sports or wildlife photographers adore. And finally, because of how an APS-C crop factor works, it’s easier to gain a deeper, richer depth of field. If you want to capture an entire scene sharply, you won’t have to stop down as much–which is fantastic for shooting in low-light situations.

E 11mm F1.8 Lens

Looking for an ultra-wide-angle prime for your Sony? The E 11mm F1.8 Lens has a dynamic perspective in stills and movies with great bokeh and advanced autofocus

E 15mm F1.4 G Lens

Looking for a versatile Sony lens? The E 15mm F1.4 G Lens will give you outstanding performance, natural bokeh, and great FOCUS control shooting stills or video

In Detail

Sony’s acclaimed image sensor technology in a new back-illuminated 20.1 megapixels APS-C Exmor R CMOS sensor (Super 35 format) achieves impeccably high sensitivity, low noise, and wide dynamic latitude. The camera body’s 6K oversampling compresses a vast amount of information into 4K output, delivering 4K movies with overwhelming resolution quality. Each clip provides an expressive depth of field, stunning bokeh, and cinematic freedom of an APS-C size sensor. The image sensor maximizes light collection efficiency with a standard ISO sensitivity between 100 to 32000 and latitude at an impressively wide 14 stops.

The camera‘s active mode utilizes an in-body 5-axis sensor-shift image stabilizer and provides increased stabilization for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting handheld without a gimbal, while walking, and at 4K high resolution.

When recording with the S-Log3 gamma curve, the low-contrast image displayed on the monitor can make it difficult to judge how the final image will look. The FX30 allows custom LUTs to be applied to the LCD monitor and HDMI output, providing a more accurate preview of the final image. LUTs can also be embedded in clips to facilitate post-production processing. The FX30 includes a new s709 preset LUT that can provide a more cinematic look while monitoring. In addition to the preset LUTs, up to 16 user LUTs (.cube format) can be imported into the camera via memory card.